As the only 2018 Oscar-nominated film that was not produced in the US, The Breadwinner definitely is bringing something different to the table compared to its fellow nominees. Namely, the decision to use a style mostly considered to be reserved for kid movies – animation – to tell the story of a girl living in Afghanistan under the rule of the Taliban, which is a pretty deep topic. It weaves a spell over the audience that takes them into a world they may not recognize, one that doesn’t seem fair and one that unfolds through paint and paper cut-outs. The story is woven so well, in fact, that you can almost forget that it doesn’t really have an ending and that several plotlines are picked up and dropped just to kind of sort of move the plot along – almost. While the film is intriguing and the art style is wonderful, the story of the film is all about craftsmanship, rather than the end result.
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