Baby Driver: The Sensory Summer Surprise

Like basically everyone else who heard the title Baby Driver, I went into this one not expecting very much at all. Sure, it was a movie about a getaway driver with a badass Jaime Foxx in the passenger seat, but the title was Baby Driver, how cool could it possibly be? And, just like everyone else, I completely underestimated Edgar Wright and everyone in this movie. Not only is it a fun story and a nice way to spend two hours, it is a great leap into a sensory style of film, pulling its audience into the feel of the moment, actually triggering their sight and touch, and making them part of the experience. With the music so perfectly placed and the actors so in sync with their sounds, as well as some fantastic exploding colors and a lack of CGI car chases (you heard me, Wright went on record saying no CGI or green screens were used for the car chase sequences, how badass is that?!), no audience member can avoid being completely enveloped in this story, no matter what they think of the actual dialogue and plot. Those are almost secondary details, and all we need is the experience of Baby behind the wheel.

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