Biopics have to work very hard to make themselves stand out – in a world where the focus of the general moviegoing public is on superheroes, space battles, and the best fantasy CGI that cinema can offer, sometimes the true stories of people whose lives are far less fantastical than a story can pale in comparison. To combat this, biopics need two things: a main character who is larger than life, and a story with some real stakes behind it. Darkest Hour, which tells the story of the first turbulent month of Winston Churchill’s duties at Prime Minister, definitely has the first, and tries its best to convince us of the second. Because Darkest Hour is more about the figure, the stakes he faces must be conveyed through his intensity and some clever choices by the placement of the camera.
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